There is more to music’s most hated muse than a dead husband and bad attitude.

Jesse Eisenberg's directorial debut doesn't recognize its potential.

Viktoria Capek writes a memo detailing the love she has for the LGBTQ+ community she found in an unexpected place: Little Rock, Arkansas. While her heart breaks for the anti-LGBTQ+ legislation the state is facing, she searches for ways to help from her new home in Los Angeles.

Gina Prince-Bythewood’s women warriors are multi-dimensional characters who contribute to a new genre of revolutionary filmmaking.

Second-year Thornton School of Music classical guitar major, Daniela Santiago, helped re-establish the university’s mariachi band, Mariachi Los Troyanos de USC.

The South African-born artist’s retrospective is on display at the Broad Museum.

Should museum leaders have the same ethnicity of the culturally-specific institutions they work for? A group of art students raise questions about who’s in charge at USC’s Pacific Asia Museum.

Why Taylor Swift’s ‘Midnights’ is a queer album: Online legions of ‘Gaylors’ have plucked out curious themes within the superstar’s tenth studio album. These interpretations are precisely what makes ‘Midnights’ a queer text.

The indie artist talks about her origins in gospel music and figure skating, her path from Texas to USC, and her love for all things childlike and playful.

How the centuries-old game of Mahjong is taking new generations by storm nationwide