Students celebrate film at USC’s First Look 2025
USC’s First Look 2025, an annual cinematic ceremony, awards students with trophies and grants.
‘The Day the Earth Blew Up’ review: all Daffy, a few bugs
The Looney Tunes have a close encounter of the absurd kind in their first theatrical animated feature.
Academy Awards breakdown: picture, director and screenplays
Predictions, rankings and reviews of the 2025 Oscar nominees for the picture, director and screenplay categories.
Academy Awards breakdown: the acting
Predictions, rankings and reviews of the 2025 Oscar nominees for the supporting and lead actor and actress categories.
Academy Awards breakdown: tech and music
Predictions, rankings and reviews of the 2025 Oscar nominees for cinematography, costume design, editing, makeup & hairstyling, production design, score, song, sound and visual effects.
Academy Awards breakdown: the features
Predictions, rankings and reviews of the 2025 Oscar-nominated documentary, animated and international feature films.
Oscars 2025: Who will take home the gold on Hollywood’s biggest night?
Read about the nominees, vote on your favorite picks and see how others voted.
Academy Awards breakdown: the shorts
Predictions, rankings and reviews of the 2025 Oscar-nominated short films.
‘The Monkey’: Gory fun until the last beat
Horror fans must see the monkey that likes killing Theo James’ family.
These 2024 gems got zero Oscar nominations
Here are some of the best films from 2024 that aren’t represented at the Academy Awards
Reflections on a trip to Sundance
This year’s Ampersand team shares their experience covering the film festival.
‘Touch Me’ was made to be a midnight movie
Addison Heimann’s Sundance horror/comedy is style over substance.
‘Twinless’ and the plague of piracy
Dylan O’Brien is the unfortunate face of James Sweeney’s Sundance premiere leak, highlighting a disturbing trend in cinema.
A note from the team: Sundance Film Festival 2025
A pre-festival memo from this year’s Ampersand Sundance reporters.
Robert Eggers’ ‘Nosferatu’ is a familiar nightmare
Review of Robert Eggers' "Nosferatu"